a reference

Tales from the Athenaeum

Tales from the Athenaeum

about books, an essay



We can assay the weight and substance of a given work and argue its merits, but essentially the value of the thing is in its power to move us and hold us and remain in our minds long after the event of our first reading. For example, Tarzan of the Apes is a silly work in almost any critical regard except in the way that matters.

When art and craft are brought to a work that has that power to endure, we have the transcendent experience of stepping beyond our petty concerns into other places, in other times, and living larger lives than what we have managed by ourselves.

Not every great work is a Moby Dick, or should be. Not every reader has the stamina, or the need for the quest of a Frodo, or a picaresque journey by raft on the Mississippi. And often enough, the best of our literature is not fiction but memoir–that assembly of fact from memory that bears truth more than history.

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The Powells Blogs

The Powells Blogs

about books, an essay



I was recently asked to contribute to the Powells Books (Powells.com) website as a guest blogger for the week of Monday, October 19 through Friday the 23rd. I was quite pleased to do it. The idea of a new audience of potential readers at this moment when my first novel is just out was a great opportunity.

But then there were choices to make. Should I pick a different subject each day or carry a theme. Should I be light or jump headfirst into those darker thoughts that plague me.

In the end I chose to write on a single theme, the death of the book, but avoid my worst nightmares for the sake of some degree of polite conversation. After it was done, I thought it came out fairly well. No loud ranting. No dead bodies.

Powell’s has kindly given me permission to repost my entries here and I have decided to put them all up at once in consecutive order.

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Lost Covenant [an open letter to our bookshop customers, March 17th, 2004]

Lost Covenant [an open letter to our bookshop customers, March 17th, 2004]

about books



I met a man the other day. Not a great man perhaps, but at least a very good one, I can tell you. Cyril P. Foley played first class cricket for Cambridge (right-hand bat, right arm slow), fought in the Boer War (Jameson Raid), was a crack shot, enjoyed auto racing, fly-fishing, tennis and golf, went on a serious search for the Ark of the Covenant (the Parker Expedition), spent twenty months in the trenches of France and Salonica without leave during the Great War, liked to play the tables at Monte Carlo, and wrote a wonderful memoir about a world long vanished which is filled with incident while never telling a story about himself that is not at his own expense.

Great men seldom have time to write their memoirs, and good men usually refrain out of modesty, but thankfully there are some of those who have a talent for words and realize they were present when things happened that are worth remembering.

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In the theft of time

about books



The theft of time has always been a primary fascination and pursuit. Beyond my own conceit, the subject is more commonly known as history. But I have always seen the subject both more broadly and more personally than would be accepted by, say, the typical academic.

Usually, pedagogic prejudice does not openly admit its failings and weakness. Needing fortification against the untaught masses who might otherwise question the tattered cloak, the academic will often throw up a screen of minutia and assumed fact and bellow its affected knowledge loudly. ‘Do not look behind the curtain.’ Information is buried in the labyrinth of libraries and ‘off-site’ storage facilities. Few professors are true scholars and anyone who approaches the citadel without first accepting the self-perpetuating rules of academic engagement will be denied entry to the sanctuary of the academy.

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On Country and Music

On Country and Music

a reference



My first awareness of what music was, was a cousin sitting on the front porch of my grandparents house in Spartanburg, South Carolina, playing away on an enormous guitar and singing in a voice which was not pretty, but made you listen.

I might have been all of seven years old, but I remember that his voice was not pretty, as well as I remember the realization at that moment–an early epiphany you might say–that music was made this way. Somehow this had escaped me until an age well after Mozart had written his first symphony. Before that, music was something that emitted from the radio.

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